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A Modern Method For Guitar - Volume 3 [50449420]
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Ç°¸í/¸ðµ¨¸í A Modern Method For Guitar - Volume 3 [50449420] |
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Ãâ½Ã³âÀÏ 2012-12-27 Á¦Á¶ÀÚ Hal LeonardÁ¦Á¶±¹ ¹Ì±¹ |
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Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¾È³» ÂüÁ¶ A/S¹®ÀÇ (ÁÖ)»þÀιÂÁ÷³Ý / 1600-7940 |
A Modern Method For Guitar - Volume 3 |
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ÃâÆÇ»ç |
Berklee Press
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ÀúÀÚ |
William Leavitt
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¾ÆÀÌÅÛ # |
50449420 |
ISBN |
0876390173
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ºÐ·® |
160 ÆäÀÌÁö
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Contents -
Evolution of Twelve Major Scale Fingering Patterns A
Refined Definition of Position Speed Study "Solo in
Bb" Rhythm Guitar - The Right Hand (Rhumba) Explanation of Voices in
Chords Triad Studies - Chords in C Major (Close and Open Voicings)
Afjacent Strings - Common Finger Exercises Major Scales - Position II
(Twelve Keys Ascending Chromatically) Principal Real Melodic Minor Scale -
Position II (Nine Pactical Fingerings) Triad Studies - Chords in G Major
(Close and Open Voicings) Arpeggios - Three-Note Chords - Major Triads
Arpeggios - Three-Note Chords - Minor Triads About Chord Symbols
Reference Chart for Major Scale Fingering Types Major Scales - Position
III (Twelve Keys Descending Chromatically) "Melodic Rhythm
Study No.8" (duet) About Practicing Triad Studies - Chords in F Major
(Close and Open Voicings) Technical Study About Chord Construction
Major Scales - Position IV (Twelve Keys Through Cycle 5) Principal Real
Melodic Minor Scales - Position IV (Nine Practical Fingerings) Chord
Construction - Four-Part Harmony Arpeggios - Four-Note C Chords Rhythm
Guitar - The Right Hand (Tango, Merengue) C Major Scales (Twelve Positions)
Natural Minor Scales Modes - A Brief Discussion Harmonic Minor
Scales A Harmonic Minor (Nine Positions) "A Minor
Etude" (solo) Melodization of Triads Recognition of Melodic Degrees -
Altered 5 and #4 About Chord Voicings Arpeggios - Four-Note F Chords
Arpeggios - Four-Note G Chords Chords-Scale Relationships - Dominant 7
Chords Major Scales - Position V (Twelve Keys Descending Chromatically)
Principal Real Melodic Minor Scales - Position V Chord Construction -
Three-Note Voicings Melodization of Tonic Major Chords Melodization of
Tonic and Subdominant Minor Chords Diminished Scales - In Position Chord
Construction (Three-Note Voicings) Domininant 7 Chords (Preparation of Close
Voicings) Recognition of Melodic Degrees - Dominant 7
Chords Speed Study Arpeggios - Four-Note Bb Chords
Arpeggios - Four-Note D Chords "Melodic Rhythm Study
No. 9" (duet) Rhythm Guitar - The Right Hand (Mambo, Bolero, Conga)
Legato-Stacatto (Explanation of Portato) F Major Scale (Twelve
Positions) D Harmonic Minor (Nine Positions) "Etude in
D Minor" (solo) Melodic Embellishment - The Appoggiatura Rhythm Guitar -
The Right Hand (5/4 Swing) About Altered Chords and Chord Degrees
Arpeggios - Four-Note Fb Chords Arpeggios - Four-Note A Chords Chord
Construction - Three Notes - Melodization of Dominant 7 Chords
Melodization of I Minor Chords with Harmonic Minor Scale
Arpeggio Studies - 7th Chords
"Melodic Rhythmic Study No.10" (duet) Major Scales -
Position VII (Twelve Keys Ascending Chromatically) Principal Melodic Minor
Scales - Position VII Chords (Three Notes) Melodization of Diminished Triads
(Including Open Voicings) Chords (Three Notes) Melodization of Augmented
Triads (Including Open Voicings) Arpeggios - Four-Note Ab Chords
Arpeggios - Four-Note E Chords G Major Scale (Twelve Positions) E
Harmonic Minor (Nine Positions) "E Minor Etude" (solo)
Chord-Scale Relationships - Dominant 7 Chords Practical Fingers for
Moving from Position to Position Chord Construction (Three Notes) Diminant 7
Chords - Preparation of Close and Open Voicings Arpeggios - Four-Note Db
Chords Arpeggios - Four-Note B Chords Rhythm Guitar - The Right Hand
(Samba) "Polka dot" (Polka-Duet) Major Scales -
Position VIII (Twelve Keys Through Cycle 5) Chords (Three-Note Voicings)
Melodiza of Tonic Major Chords Melodization of Minor 7
Chords as VIm7 (Diatonic Substitution Explanation)
Melodization of Subdominant Major Chords
Melodization of Minor 7 Chords as IIm7 Arpeggios -
Four-Note F# Chords Arpeggios - Four-Note Gb Chords Arpeggios -
Four-Note C# Chords Arpeggios - Four-Note Cb Chords Chords (Three-Note
Voicings) Dominant 7 Chords - Open Voicings - All Inversions B Major Scale
(Twelve Positions) G Harmonic Minor (Nine Positions)
"Etude in G Minor" (solo) Arpeggios - Diminished
Chords (Spelling Most Used) Arpeggios - Dominant 7 (b5) Chords Theory :
Diatonic 7 Chords - Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and Scale Study Chords (Three-Note Voicings) Melodization of
Subdominant Minor 6 Chords Melodization of Minor 7(b5) as
Altered IIm7 Chords Melodization of Dominant 7 Chords as
IV7 and bVII7 Melodization of Dominant 7 Chords as IV7
Major Scales - Position X (Twelve Keys Through Cycle 5) Principal Real
Melodic Minor Scales (Position X) Chords (Three-Note Voicing) Major 6 and
Major 7 Chords - All Inversions Chord Construction - Five-Part Harmony
Five-Note Arpeggios Major 7/9 and Dominant 9 Chords
"Daydreams" (duet) Five-Note Arpeggios - Minor 9 and
Diminished 9 Chords D Major Scale (Twelve Positions) B Harmonic Minor
(Nine Positions) "B Minor Etude" (solo) Chords
(Three-Note Voicings) Dominant 7 Chord Study with b5 (Chromatic Approach)in the
Bass About Chord Progressions (Cycle 5) Theory : Interchaneable Chord
Structures Rhythm Guitar - The Right Hand (Joropo, Nanigo) Arpeggio
Study - Seventh Chords Chords (Three-Note Voicings) Melodization of Minor 7
Chords as IIIm7 Melodization of Minor 7(b5) Chords as
IIIm7(b5) Chromatic Melodization of Dominant 7 Chords
(Close and Open Voicings) "Melodic Rhythm Study No.11"
(Optional Duet with Rhythm Guitar) Five-Note Arpeggios - Minor 6(9),
Dominant 9sus4, and Dominant 7(b9) Chords (Three-Note Voicings) Minor 7 and
Minor 6 Chords - Close and Open Voicings Minor 7 Chords -
Open Voicings - All Inversions IIm7-V7-I Chord Study
Chord-Scale Relationships - Special Alterrations on Dominant 7 Chords
"Pretty Please" (duet) Five-Note Arpeggios - Domminant
7(+9) Chords Harmonizing of a Melody - From a Lead Sheet with Chords
Indicated Eb Major Scale (Twelve Positions) "Etude in
C Minor" (solo) Chord-Scale Relationships - Major Chords, Minor 7 Chords
Chords (Three-Note Voicings) Minor 7 and 6 Chords -
Close and Open Voicings Minor 6, Minor 7 Chords - Open
Voicings, All Inversions Five-Note Arpeggios - Domminant 7(+5, +9), Dominant
9(+5), and Dominant 7(+5, b9) Chords Chords (Three-Note Voicings)
Melodization of I Minor Chords with Harmonic Minor Scale
Melodization of IIm7(b5) Chords with Harmonic Minor Scale
Melodization of Dominant 7 Chords with Harmonic Minor
Scale "Teeah-Wanna" (Optional Duet with Rhythm
Guitar) Rhythm Guitar - The Right Hand ("Paso Doble") Chord Study -
Minor 7 with b5 (Chromatic Approach in the Bass) Chord Spelling - Five-Note
Arpeggios - Minor (maj7/9) and Dominant 7(b5, b9) Chords Chord-Scale
Relationships - Minor 6 and Minor 7(b5) Chords A Major Scale (Twelve
Positions) F# Harmonic Minor (Nine Positions) "F#
Minor Etude" (solo) Chord Spelling - Five-Note Arpeggios - Dominant 7(b9)
sus4 and Dominant 9(b5) Chords Chord (Three Notes) Study in F Major and
Study in F Harmonic Minor Chord Spelling - Five-Note Arpeggios - Dominant
7+9 sus4 and Dominant 7(b5, +9) Chords Additional Fingerings for Minor
Scales Chord-Scale Relationships - Diminished 7 Chords - Augmented Traids
Chords - Preparation of Four-Part Open Voicings - Adding the 5th Degree
Preparation of Four-Part Open Voicings - Adding the Root
Chord Spelling - Five-Note Arpeggios - Minor 9(b5) Chords About
Improvisation "It's Late" (dute) Chords - Preparation
of Four-Part Open Voicing - Adding the 3rd Degree
Preparation of Four-Part Open Voicing - Adding the 7th
Degree Scale-Chord Relationships - Major, Hamonic Minor, Real Melodic Minor,
Whole Tone, and Diminished as Related to Chords |
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