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Ç°¸í/¸ðµ¨¸í Jazz Guitar Method - Complete [00-34352] |
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Ãâ½Ã³âÀÏ 2012-12-27 Á¦Á¶ÀÚ AlfredÁ¦Á¶±¹ ¹Ì±¹ |
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Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¾È³» ÂüÁ¶ A/S¹®ÀÇ (ÁÖ)»þÀιÂÁ÷³Ý / 1600-7940 |
Jazz Guitar Method - Complete |
Book & CD
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ÃâÆÇ»ç |
Alfred
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ÀúÀÚ |
Jody Fisher
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¾ÆÀÌÅÛ # |
00-34352 |
ISBN |
9780739066379
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320 ÆäÀÌÁö
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- Contents -
Jazz Guitar Method - Beginning
About the
Author Introduction
Chapter 1: Getting Started
Open Position Chords Barre Chords
Reading Music and Tablature Blues
Progressions and Strumming Pentatonic Scale Fingerings
The "A" Lessons - Chords and Harmony The "B" Lessons -
Improvisation
Chapter 2 Lesson 1A: Basic Theory
The Chromatic Scale The Major Scale
Key Signatures Intervals
The Cycle of 4ths(or 5ths) Reading
Roman Numerals Lesson 1B: Major Scale Fingerings Major
Triad Theory Major Triad Inversions
Lesson 2A:
Triad Theory & Root Position Fingerings Minor,
Diminished and Augmented Triads and Their Inversions The
Four Basic String Sets Root Position Triad Fingerings
Etude #1: Root Position Triads Lesson 2B: Two
More Major Scale Fingerings
Lesson 3A: First-Inversion Triads on Four
Strings Etude #2: First Inversion Triads Lesson
3B: Two More Major Scale Fingerings
Lesson 4A: Second-Inversion Triads
on the Four String Sets Etude #3: Second-Inversion
Triads Lesson 4B: Major Scale Etude Etude #4:
The Major Scale
Chapter 3 Lesson 1A: Constructing Larger
Chords How Larger Chord Formulas Work
Extensions Inverting Larger Chords
Voicings Lesson 1B: Major Scale Etude
Etude #5: The Major Scale
Lesson 2A: 6th
Chords Major 6th Chords Minor 6th
Chords Etude #6: 6th Chords Lesson 2B:
Connecting Major Scales
Lesson 3A: 7th Chords
Major 7th Chords Minor 7th Chords
Dominant 7th Chords Etude #7: 7th
Chords Lesson 3B: Three-Octave Scales
Lesson 4A: 9th Chords
Extensions & Chord Families
Major 9th Chords Minor 9th Chords
Dominant 9th Chords Etude #8: 9th
Chords, Etude #9: More 9th Chords Lesson 4B: More Three-Octave Scales
Neighbor Tones Approaching the Root
Lesson 5A:
Other Chords You Need to Know Minor 11th Chords
Dominant 11th Chords Major 13th
Chords Minor 13th Chords Dominant
13th Chords Major Add9 Chords, Minor Add9 Chords
Min7b5 (Half-Diminished) Chords
Diminished 7th Chords Dominant 7th
Suspended Chords Minor (Maj7) Chords
Dominant 7th Augmented Chords
Etude #10: More Chords Lesson 5B: Two Tunes
Using the Major Scale Noah's Groove, Blues for Maggie
Chapter 4 Lesson 1A: The Harmonized Major Scale Lesson
1B: Improvising with the Major Scale What It's All About
Diatonic Thinking
Lesson 2A: Major Chord Scales
Lesson 2B: Two Tunes Based on the Major Scale Ruby,
My Deerfly, Fly Like a Beagle
Lesson 3A: More Major Chord Scales
Lesson 3B: Two More Tunes Based on the Major Scale
Noisy Nights, The Creature
Lesson 4A: More
Major Chord Scales Lesson 4B: Two More Tunes Based on the Major Scale
Julie in Wonderland, Samba de Shauna
Chapter 5 Lesson 1A: Roman Numerals and Transposition
Lesson 1B: Modes of the Major Scale - The Basics
Lesson 2A: More
About Roman Numerals and Transposition Lesson 2B: Modes of the Major Scale -
Parallel-Approach Fingerings D Dorian
E Phrygian F Lydian
G Mixolydian A Aeolian
B Locrian Practice Progressions
Lesson 3A: Vertical Chord Scales Lesson 3B: Modes of the Major Scale
- Derivative Approach
Lesson 4A: More Vertical Chord Scales Lesson
4B: Two Modal Tunes Nosh 4 Josh, Chocolate Tuna
Enchiladas
Lesson 5A: More Vertical Chord Scales Lesson 4B: Two
Modal/Diatonic Tunes Modelicious, Blue Tofu
Coda - A Medley of Suggestions and Musical Concepts How Jazz Works
Technique Basic Left and Right Hand Technique
Posture Basic Strumming Technique
Fingerstyle Chords Pick and Fingers
Technique
Practice The Value of Practicing Slowly
Learning Difficult Chords and Changing Chords
Learning Scales Two Strings at a Time
The Value of Locked Positions
Practice the Major Scales Limiting
Rhythmic Options Using Melodic Patterns
Soloing
Form: Using an Opening Body and
Conclusion Form Based on Motif and Variation
The Use of Repetition in Your Solos
Tag Ending
(Afterword)
Jazz Guitar Method - Intermediate
Introduction
The "A" Lessons - Chords and Harmony The
"B" Lessons - Improvisation
Chapter 1 Lesson 1A: The
ii-V7-I Progression Lesson 1B: Improvising Over Diatonic ii-V7-I
Progressions Lesson 2A/2B: Diatonic Arpeggios
Chapter 2
Lesson 1A: Altered Chords Dominant 7th b5 Chords
The Closer Your Are Lesson 1B: Practicing
Arpeggios
Lesson 2A: More Altered Chords Dominant
7th #5 Chords Funny Lesson 2B: Progressions for
Practicing Arpeggios
Lesson 3A: Altered Chords, Continued
Dominant 7b9 Chords Friendly
Lesson 3B: Creating Lines #1 Spelling Out the Changes
Swing Feel
Lesson 4A: More Altered Chords
Dominant 7#9 Chords By the Light
of the Moon Lesson 4B: Creating Lines #2 Neighbor
Tones Approaching the Root
Lesson 5A: Chords with Combined Alterations
Lesson 5B: Creating Lines #3 Neighbor Tones
Approaching the 3rd
Lesson 6A: More Chords with Combined Alterations
Lesson 6B: Creating Lines #4 Neighbor Tones
Approaching the 5th
Lesson 7A: Other Important Chords and ii-V7-I
Fingerings Slash Chords ii-V7-I
Fingerings Lesson 7B: Creating Lines #5 Neighbor Tones
Approaching the 7th
Chapter 3 Lesson 1A: Comping Swing Feels
Lesson 1B: Major 7th Extensions
Lesson 2A: Comping Latin Feels
Lesson 2B: Diminished Extensions
Lesson 3A: Comping Funk Feels
Lesson 3B: Ascending Lines from Chord Tones
Lesson 4A: Comping
Ballads Lesson 4B: Descending Lines from Chord Tones
Chapter
4 Lesson 1A: Chord Connections Lesson 1B: Learning Licks #1
Major Chord Licks
Lesson 2A: Chord Connections #2
String Set 6-5-4-3 String Set
5-4-3-2 String Set 4-3-2-1 Lesson 2B: Learning Licks
#2 Minor Licks
Lesson 3A: Chord Connections #3
Moving Across the String Sets Lesson 3B: Learning
Licks #3 Dominant Licks
Lesson 4A: Chord
Connections #4 String Set 6-5-4-3
String Set 5-4-3-2 String Set
4-3-2-1 Lesson 4B: Learning Licks #4 min7b5 Licks
Chapter 5 Lesson 1A: The Blues Progression Lesson 1B:
Soloing Over Blues Progressions C Minor Pentatonic
Fingerings C Blues Scale Fingerings
C Mixolydian Fingerings Sample Blues
Solos Blues Solo #1 Blues
Solo #2 Blues Solo #3
Chapter 6
Lesson 1A: Rhythm Changes Rhythm Lesson 1B:
Soloing Over Rhythm Changes Rhythm Solo
Chapter 7 Lesson 1A: Turnarounds Lesson 1B: Soloing Over
Turnarounds
Chapter 8 Lesson 1A: Chord Solo
Foggy Lesson 1B: Single-Note Solo
Single Notes in the Mist
Coda - A Medley
of Suggestions and Musical Concepts Playing With Good Tone More
About Practicing The Value of Practicing Along a Single String Singing
Along With Improvised Lines Listening to the Greats
Jazz
Guitar Method - Mastering: Chord/Melody Introduction
Chapter 1 - Right-Hand Options Pick Style
Fingerstyle Chords Pick and Fingers
Technique
Chapter 2 - Combining Melody and Harmony Lesson 1:
Recognizing Chord Tones / Combining Melody and Harmony Lesson 2: Guidelines
for Arranging Lesson 3: Chord Enhancement Home on
the Range
Chapter 3 - Techniques for Harmonizing Non-Chord
Tones Lesson 1: Diads Blue Bell of Scotland
Lesson 2: Adding the Non-Chord Tone Beautiful
Dreamer Lesson 3: Voice Leading Lesson 4: Passing Chords
Virginny Blues in G
Diminished Chords Min7b5
(Half-Diminished) Chords Blues in F Lesson 5:
Quartal Harmony Single Notes Octaves
Chapter 4 - Enhancing Chord Progressions Lesson 1:
Passing-Chord Approaches Lesson 2: The IV-I Approach Lesson 3: The V7-I
Approach Lesson 4: The ii-V7-I Approach Rum and
Cake Lesson 5: Backcycling Approaches Lesson 6: Tritone Substitution
Approach Lesson 7: The bV7-I Approach Lesson 8: The ii-V7-I and
Alternate Cycles Lesson 9: Surprise Chords
Chapter 5 -
Simultaneous Chors and Walking Bass Lines Lesson 1: The Basic Voicings
Lesson 2: Bass Lines - Scalewise Approach Lesson 3: Bass Lines -
Half-Step Approach Lesson 4: Bass Lines - Rhythm Lesson 5: Bass Lines -
ii-V7-I Patterns Everything You're Not Lesson
6: Bass Lines - Combining Techniques Accompaniment for
Everything You're Not
Chapter 6 Lesson 1: Moving Voices
Lesson 2: Symmetrical Chord Movement
Coda - A Medley of
Suggestions and Musical Concepts Creating Arrangements Listening to
the Greats Reality Check Byesville
Jazz Guitar
Method - Mastering: Improvisation
Introduction
Chapter 1 - Improvising Over Altered Dominant Chords Lesson
1: The Diminished Scale Train Lesson 2: The
Whole Tone Scale Once Lesson 3: The Super
Locrian Mode (Diminished Whole Tone Scale) Moon
Lesson 4: Using the Altered Scale Over a ii-V7-I Progression Lesson 5:
Targeting the Altered Chords - The Altered Clusters Lesson 6: Revamping
Licks
Chapter 2 - The Minor Scales and Their Modes Lesson 1:
The Melodic Minor Scale Lesson 2: The Modes of the Melodic Minor Scale
Lesson 3: Arpeggios in the Melodic Minor Scale Lesson 4: The Harmonic
Minor Scale Lesson 5: The Modes of the Harmonic Minor Scale Lesson 6:
Arpeggios in the Harmonic Minor Scale Lesson 7: The ii min 7b5-V7b9-i min7
Progression
Chapter 3 - Using Arpeggios Lesson 1: Chord
Superimposition Lesson 2: Melodic Patterns Based Around Arpeggios Lesson
3: Melodic Patterns Based Around Chord Shapes
Chapter 4 - Eight-Tone
Scales The Eight-Tone ii-V7 Scale The Eight-Tone I Scale
Chapter 5 - Connecting Your Ideas Lesson 1: The Chromatic
Connection Lesson 2: Accentuating the Difference Between Keys Lesson 3:
Repeating an Idea in Different Octaves Lesson 4: Rhythmic Motives Lesson
5: Melodic Connection Lesson 6: Diatonic Connection
CODA - A
Medley of Suggestions and Musical Concepts Playing on the Extensions
Using Advanced Pentatonics Playing on the Extensions Using Tones From 13
Chords Playing With Wider Intervals Octave Displacement Symmetrical
Motives |
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