재즈 기타 연주에 관심있는 사람이라면 누구나 바로 시작할 수 있게 구성된 책/CD 패키지 교본입니다.
Beginnig, Intermediate, Mastering: Chord/Melody, Mastering: Improvisation의 네 권이 한 권으로 묶여 기본에서부터 고급 테크닉까지 재즈 기타에 필요한 모든 것이 총망라되어 있는 종합 교본입니다.
체계적인 레슨을 통해 단계적으로 즐겁게 재즈 기타를 배울 수 있게 구성되어 있습니다.

Beginning 편에서는 메이저 스케일과 기본 트라이어드 이론 및 확장 코드와 모드를 다루고 있습니다.

Intermediate 편에서는 ii-V-I 진행과 솔로라인 만들기, 대리 코드 포뮬러, 그리고 라틴, 스윙, 발라드, 펑크 등의 재즈 스타일 등을 배울 수 있습니다.

Master 편에서는 하모니, 멜로디, 리듬, 베이스 파트의 연주 및 재즈 솔로 연주를 다루고 있으며 임프로바이제이션에 대한 심도 깊은 레슨도 실려있습니다.

재즈 기타를 배우기 시작하는 사람이나 자신의 연주에 뉘앙스를 더하고 싶은 고급 연주자들 모두에게 이 책은 아주 좋은 교본 및 자료입니다.
모든 예제는 타브악보로 수록되어 있으며 MP3 데모 트랙 형식의 CD가 부록으로 포함되어 있습니다.


- Contents -


Jazz Guitar Method - Beginning

About the Author
Introduction

Chapter 1: Getting Started
   Open Position Chords
   Barre Chords
   Reading Music and Tablature
   Blues Progressions and Strumming
   Pentatonic Scale Fingerings

The "A" Lessons - Chords and Harmony
The "B" Lessons - Improvisation

Chapter 2
Lesson 1A: Basic Theory
   The Chromatic Scale
   The Major Scale
   Key Signatures
   Intervals
   The Cycle of 4ths(or 5ths)
   Reading Roman Numerals
Lesson 1B: Major Scale Fingerings
   Major Triad Theory
   Major Triad Inversions

Lesson 2A: Triad Theory & Root Position Fingerings
   Minor, Diminished and Augmented Triads and Their Inversions
   The Four Basic String Sets
   Root Position Triad Fingerings
   Etude #1: Root Position Triads
Lesson 2B: Two More Major Scale Fingerings

Lesson 3A: First-Inversion Triads on Four Strings
   Etude #2: First Inversion Triads
Lesson 3B: Two More Major Scale Fingerings

Lesson 4A: Second-Inversion Triads on the Four String Sets
   Etude #3: Second-Inversion Triads
Lesson 4B: Major Scale Etude
   Etude #4: The Major Scale

Chapter 3
Lesson 1A: Constructing Larger Chords
   How Larger Chord Formulas Work
   Extensions
   Inverting Larger Chords
   Voicings
Lesson 1B: Major Scale Etude
   Etude #5: The Major Scale

Lesson 2A: 6th Chords
   Major 6th Chords
   Minor 6th Chords
   Etude #6: 6th Chords
Lesson 2B: Connecting Major Scales

Lesson 3A: 7th Chords
   Major 7th Chords
   Minor 7th Chords
   Dominant 7th Chords
   Etude #7: 7th Chords
Lesson 3B: Three-Octave Scales

Lesson 4A: 9th Chords
   Extensions & Chord Families
   Major 9th Chords
   Minor 9th Chords
   Dominant 9th Chords
   Etude #8: 9th Chords, Etude #9: More 9th Chords
Lesson 4B: More Three-Octave Scales
   Neighbor Tones Approaching the Root

Lesson 5A: Other Chords You Need to Know
   Minor 11th Chords
   Dominant 11th Chords
   Major 13th Chords
   Minor 13th Chords
   Dominant 13th Chords
   Major Add9 Chords, Minor Add9 Chords
   Min7b5 (Half-Diminished) Chords
   Diminished 7th Chords
   Dominant 7th Suspended Chords
   Minor (Maj7) Chords
   Dominant 7th Augmented Chords
   Etude #10: More Chords
Lesson 5B: Two Tunes Using the Major Scale
   Noah's Groove, Blues for Maggie

Chapter 4
Lesson 1A: The Harmonized Major Scale
Lesson 1B: Improvising with the Major Scale
   What It's All About
   Diatonic Thinking

Lesson 2A: Major Chord Scales
Lesson 2B: Two Tunes Based on the Major Scale
   Ruby, My Deerfly, Fly Like a Beagle

Lesson 3A: More Major Chord Scales
Lesson 3B: Two More Tunes Based on the Major Scale
   Noisy Nights, The Creature

Lesson 4A: More Major Chord Scales
Lesson 4B: Two More Tunes Based on the Major Scale
   Julie in Wonderland, Samba de Shauna

Chapter 5
Lesson 1A: Roman Numerals and Transposition
Lesson 1B: Modes of the Major Scale - The Basics

Lesson 2A: More About Roman Numerals and Transposition
Lesson 2B: Modes of the Major Scale - Parallel-Approach Fingerings
   D Dorian
   E Phrygian
   F Lydian
   G Mixolydian
   A Aeolian
   B Locrian
   Practice Progressions

Lesson 3A: Vertical Chord Scales
Lesson 3B: Modes of the Major Scale - Derivative Approach

Lesson 4A: More Vertical Chord Scales
Lesson 4B: Two Modal Tunes
   Nosh 4 Josh, Chocolate Tuna Enchiladas

Lesson 5A: More Vertical Chord Scales
Lesson 4B: Two Modal/Diatonic Tunes
   Modelicious, Blue Tofu

Coda - A Medley of Suggestions and Musical Concepts
How Jazz Works

Technique
   Basic Left and Right Hand Technique
   Posture
   Basic Strumming Technique
   Fingerstyle Chords
   Pick and Fingers Technique

Practice
   The Value of Practicing Slowly
   Learning Difficult Chords and Changing Chords
   Learning Scales Two Strings at a Time
   The Value of Locked Positions
   Practice the Major Scales
   Limiting Rhythmic Options
   Using Melodic Patterns

Soloing
   Form: Using an Opening
   Body and Conclusion
   Form Based on Motif and Variation
   The Use of Repetition in Your Solos

Tag Ending (Afterword)


Jazz Guitar Method - Intermediate
Introduction

The "A" Lessons - Chords and Harmony
The "B" Lessons - Improvisation

Chapter 1
Lesson 1A: The ii-V7-I Progression
Lesson 1B: Improvising Over Diatonic ii-V7-I Progressions
Lesson 2A/2B: Diatonic Arpeggios

Chapter 2
Lesson 1A: Altered Chords
   Dominant 7th b5 Chords
   The Closer Your Are
Lesson 1B: Practicing Arpeggios

Lesson 2A: More Altered Chords
   Dominant 7th #5 Chords
   Funny
Lesson 2B: Progressions for Practicing Arpeggios

Lesson 3A: Altered Chords, Continued
   Dominant 7b9 Chords
   Friendly
Lesson 3B: Creating Lines #1
   Spelling Out the Changes
   Swing Feel

Lesson 4A: More Altered Chords
   Dominant 7#9 Chords
   By the Light of the Moon
Lesson 4B: Creating Lines #2
   Neighbor Tones Approaching the Root

Lesson 5A: Chords with Combined Alterations
Lesson 5B: Creating Lines #3
   Neighbor Tones Approaching the 3rd

Lesson 6A: More Chords with Combined Alterations
Lesson 6B: Creating Lines #4
   Neighbor Tones Approaching the 5th

Lesson 7A: Other Important Chords and ii-V7-I Fingerings
   Slash Chords
   ii-V7-I Fingerings
Lesson 7B: Creating Lines #5
   Neighbor Tones Approaching the 7th

Chapter 3
Lesson 1A: Comping Swing Feels
Lesson 1B: Major 7th Extensions

Lesson 2A: Comping Latin Feels
Lesson 2B: Diminished Extensions

Lesson 3A: Comping Funk Feels
Lesson 3B: Ascending Lines from Chord Tones

Lesson 4A: Comping Ballads
Lesson 4B: Descending Lines from Chord Tones

Chapter 4
Lesson 1A: Chord Connections
Lesson 1B: Learning Licks #1
   Major Chord Licks

Lesson 2A: Chord Connections #2
   String Set 6-5-4-3
   String Set 5-4-3-2
   String Set 4-3-2-1
Lesson 2B: Learning Licks #2
   Minor Licks

Lesson 3A: Chord Connections #3
   Moving Across the String Sets
Lesson 3B: Learning Licks #3
   Dominant Licks

Lesson 4A: Chord Connections #4
   String Set 6-5-4-3
   String Set 5-4-3-2
   String Set 4-3-2-1
Lesson 4B: Learning Licks #4
   min7b5 Licks

Chapter 5
Lesson 1A: The Blues Progression
Lesson 1B: Soloing Over Blues Progressions
   C Minor Pentatonic Fingerings
   C Blues Scale Fingerings
   C Mixolydian Fingerings
   Sample Blues Solos
   Blues Solo #1
   Blues Solo #2
   Blues Solo #3

Chapter 6
Lesson 1A: Rhythm Changes
   Rhythm
Lesson 1B: Soloing Over Rhythm Changes
   Rhythm Solo

Chapter 7
Lesson 1A: Turnarounds
Lesson 1B: Soloing Over Turnarounds

Chapter 8
Lesson 1A: Chord Solo
   Foggy
Lesson 1B: Single-Note Solo
   Single Notes in the Mist

Coda - A Medley of Suggestions and Musical Concepts
Playing With Good Tone
More About Practicing
The Value of Practicing Along a Single String
Singing Along With Improvised Lines
Listening to the Greats


Jazz Guitar Method - Mastering: Chord/Melody
Introduction

Chapter 1 - Right-Hand Options
Pick Style
   Fingerstyle Chords
   Pick and Fingers Technique

Chapter 2 - Combining Melody and Harmony
Lesson 1: Recognizing Chord Tones / Combining Melody and Harmony
Lesson 2: Guidelines for Arranging
Lesson 3: Chord Enhancement
   Home on the Range

Chapter 3 - Techniques for Harmonizing Non-Chord Tones
Lesson 1: Diads
   Blue Bell of Scotland
Lesson 2: Adding the Non-Chord Tone
   Beautiful Dreamer
Lesson 3: Voice Leading
Lesson 4: Passing Chords
   Virginny
   Blues in G
   Diminished Chords
   Min7b5 (Half-Diminished) Chords
   Blues in F
Lesson 5: Quartal Harmony
   Single Notes
   Octaves

Chapter 4 - Enhancing Chord Progressions
Lesson 1: Passing-Chord Approaches
Lesson 2: The IV-I Approach
Lesson 3: The V7-I Approach
Lesson 4: The ii-V7-I Approach
   Rum and Cake
Lesson 5: Backcycling Approaches
Lesson 6: Tritone Substitution Approach
Lesson 7: The bV7-I Approach
Lesson 8: The ii-V7-I and Alternate Cycles
Lesson 9: Surprise Chords

Chapter 5 - Simultaneous Chors and Walking Bass Lines
Lesson 1: The Basic Voicings
Lesson 2: Bass Lines - Scalewise Approach
Lesson 3: Bass Lines - Half-Step Approach
Lesson 4: Bass Lines - Rhythm
Lesson 5: Bass Lines - ii-V7-I Patterns
   Everything You're Not
Lesson 6: Bass Lines - Combining Techniques
   Accompaniment for Everything You're Not

Chapter 6
Lesson 1: Moving Voices
Lesson 2: Symmetrical Chord Movement

Coda - A Medley of Suggestions and Musical Concepts
Creating Arrangements
Listening to the Greats
Reality Check
Byesville


Jazz Guitar Method - Mastering: Improvisation

Introduction

Chapter 1 - Improvising Over Altered Dominant Chords
Lesson 1: The Diminished Scale
   Train
Lesson 2: The Whole Tone Scale
   Once
Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale)
   Moon
Lesson 4: Using the Altered Scale Over a ii-V7-I Progression
Lesson 5: Targeting the Altered Chords - The Altered Clusters
Lesson 6: Revamping Licks

Chapter 2 - The Minor Scales and Their Modes
Lesson 1: The Melodic Minor Scale
Lesson 2: The Modes of the Melodic Minor Scale
Lesson 3: Arpeggios in the Melodic Minor Scale
Lesson 4: The Harmonic Minor Scale
Lesson 5: The Modes of the Harmonic Minor Scale
Lesson 6: Arpeggios in the Harmonic Minor Scale
Lesson 7: The ii min 7b5-V7b9-i min7 Progression

Chapter 3 - Using Arpeggios
Lesson 1: Chord Superimposition
Lesson 2: Melodic Patterns Based Around Arpeggios
Lesson 3: Melodic Patterns Based Around Chord Shapes

Chapter 4 - Eight-Tone Scales
The Eight-Tone ii-V7 Scale
The Eight-Tone I Scale

Chapter 5 - Connecting Your Ideas
Lesson 1: The Chromatic Connection
Lesson 2: Accentuating the Difference Between Keys
Lesson 3: Repeating an Idea in Different Octaves
Lesson 4: Rhythmic Motives
Lesson 5: Melodic Connection
Lesson 6: Diatonic Connection

CODA - A Medley of Suggestions and Musical Concepts
Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
Playing With Wider Intervals
Octave Displacement
Symmetrical Motives