·Î±×ÀΠȸ¿ø°¡ÀÔ ¸¶À̹öÁîºñ Àå¹Ù±¸´Ï ÁÖ¹®/¹è¼ÛÁ¶È¸ °í°´¼¾ÅÍ Áñ°Üã±â
½Å»óÇ° º£½ºÆ®100 ¹öÁîºñTV ºê·£µå¼¥ À̺¥Æ® Å׸¶¼¥
2018 Fender, New Gibson, Epiphone
Fretboard Roadmaps [00695941]
25,000¿ø
25,000¿ø
5°³¿ù (¿ù 5,000¿ø)
0¿ø
Hal Leonard / ¹Ì±¹
Ç°ÀýµÈ »óÇ°ÀÔ´Ï´Ù
»óÇ°Æò 1°³ ¢º
ȹ±âÀûÀγ»¿ë
 
  Ç°¸í/¸ðµ¨¸í Fretboard Roadmaps [00695941]  
Ãâ½Ã³âÀÏ 2011-10-31 Á¦Á¶ÀÚ Hal LeonardÁ¦Á¶±¹ ¹Ì±¹
Å©±â Á¦Ç°»ó¼¼Á¤º¸Âü°í »ö»ó Á¦Ç°»ó¼¼Á¤º¸Âü°í ÀçÁú Á¦Ç°»ó¼¼Á¤º¸Âü°í Á¦Ç°±¸¼º Á¦Ç° »ó¼¼Á¤º¸ Âü°í
Ç°Áúº¸Áõ±âÁØ ÇÏ´Ü ¾È³» ÂüÁ¶ A/S¹®ÀÇ (ÁÖ)»þÀιÂÁ÷³Ý / 1600-7940
º£½ºÆ®¼¿·¯¿´´ø ÃÊÆÇÀÇ °³Á¤ÆÇÀÎ ÀÌ Ã¥¿¡´Â °­È­µÈ ·¹½¼°ú Ç® ¿Àµð¿À CD°¡ ´ã°ÜÀÖ½À´Ï´Ù.
ÀÌ Ã¥Àº ¸ðµç Å°¿¡¼­ ¸®µå¿Í ¸®µë ±âŸ¸¦ ¿¬ÁÖÇÏ´Â ¹æ¹ý°ú ´Ù¾çÇÑ ¸®µå±âŸ ½ºÅ¸ÀÏ,
ÇÁ·¿º¸µåÀÇ ¸ðµç À§Ä¡¿¡¼­ ÄÚµå¿Í ÇÁ·Î±×·¹¼ÇÀ» ¿¬ÁÖÇÏ´Â ¹æ¹ý, Äڵ带 È®ÀåÇÏ´Â ¹æ¹ý,
ÇÁ·Î ¹ÂÁö¼Çµéó¸§ À½¾ÇÀûÀ¸·Î »ý°¢ÇÏ´Â ¹æ¹ý µîÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
°¢°¢ÀÇ Ã©ÅÍ¿¡´Â ÆÐÅÏ°ú ±× ÆÐÅÏÀ» ¾î¶»°Ô »ç¿ëÇÏ´ÂÁö, ±×¸®°í ±×¿¡ °üÇÑ ¿¬ÁÖÆÁµéÀÌ ½Ç·ÁÀÖ½À´Ï´Ù.
¿ÏÀü Ãʺ¸Àڵ鵵 ´ÙÀ̾î±×·¥°ú ·¹½¼À» µû¶ó°¡¸ç ¹è¿ï ¼ö ÀÖ°í Áß»ó±ÞÀÚµéÀº éÅÍÀÇ ¼ø¼­¿¡ »ó°ü¾øÀÌ
ÀÚ½ÅÀÌ ÇÊ¿äÇÑ ºÎºÐÀ» Âü°íÇÒ ¼ö ÀÖ´Â ÁÁÀº ÀÚ·áÀÔ´Ï´Ù.


CONTENTS
INTRODUCTION
HOW TO READ CHORD GRIDS
HOW TO READ FRETBOARD DIAGRAMS
HOW TO READ TABLATURE
1. NOTES ON THE FRETBOARD Tips on How to Learn Them
2. THE MAJOR SCALE Understanding Intervals; First-Position Major Scales
3. TWO MOVEABLE MAJOR CHORD SHAPES Barred E and A Chords, Root Notes, and Simple Progressions
4. THE I-IV-V CHORD FAMILY Using the Two Moveable Major Chords to Play Blues and Other Progressions
5. D-A-F ROADMAP Using Three Major Chord Fragments to Follow a Chord Through All Its Inversions
6. CHORD FRAGMENT/CHORD FAMILIES Using Three Major Chord Fragment/Chord Families to Play Licks, Strums, and Arpeggios
7. CIRCLE-OF-FIFTH PROGRESSIONS Understanding and Playing Many Progressions All Over the Fretboard
8. VARIATIONS OF THE TWO MOVEABLE MAJOR CHORDS A Shortcut to Learning All the Different Chord Types
9. MOVEABLE MAJOR SCALES One for Each Chord Fragment; Playing Melodies
10. THREE MOVEABLE BLUES SCALES Using Three Moveable Positions to Play Licks and Melodies
11. MAJOR PENTATONIC SCALES A 5th- and 6th-String Root Scale; Practice Licks
12. A MOVEABLE DOUBLE-NOTE LICK Played on the First and Third Strings; How to Use It in Blues, Country, Rock, and R&B
WHAT NEXT? USING THE PRACTICE TRACKS ABOUT THE AUTHOR GUITAR NOTATION LEGEND TRACK SHEET/SONG INDEX
 

±¸¸Å¾È³»

  Åù踦 ¹ÞÀ¸½Å ÈÄ »óÇ°À» ²À È®ÀÎÇØ ÁÖ¼¼¿ä.
»óÇ° ¼ö·ÉÈÄ 7ÀÏÀÌ Áö³ª¸é ¼ÒºñÀÚ °ú½Ç·Î ó¸®µÇ¾î ±³È¯/¹ÝÇ°/ȯºÒÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
Á¦Ç°±¸¸Å½Ã Àû¸³µÈ ¸¶Àϸ®Áö´Â ¹öÁîºñ ¼îÇθô ¾È¿¡¼­ Á¦Ç° ±¸¸Å½Ã Çö±Ýó·³ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
   
ÁÖ¹®¾È³»
  ÁÖ¹® ÈÄ °¡»ó°èÁÂ(¹«ÅëÀå ÀÔ±Ý)´Â 3Àϳ»¿¡, °èÁÂÀÌü Ä«µå°áÁ¦´Â 1½Ã°£ ³»¿¡, ÀÔ±ÝÈ®ÀÎÀÌ µÇÁö ¾ÊÀ¸¸é
ÁÖ¹®¼­°¡ ÀÚµ¿À¸·Î Ãë¼ÒµË´Ï´Ù. ÁÖ¹®½Ã ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼º¸íÀÌ ´Ù¸¦ °æ¿ì ÀÔ±ÝÀÚ¸íÀ» ¹Ýµå½Ã ¸í½ÃÇØÁֽñ⠹ٶø´Ï´Ù.
ÁÖ¹®ÀÚ¿Í ÀÔ±ÝÀÚÀÇ ¼º¸íÀÌ ´Ù¸¦ °æ¿ì ¹è¼ÛÀÌ ´Ê¾îÁú ¼ö ÀÖ½À´Ï´Ù.
   

¹è¼Û¾È³»

  ¹è¼Û±â°£: ÀÔ±ÝÈ®ÀÎ ÈÄ 3ÀÏ (µµ¼­Áö¿ª ¹× Á¦ÁÖµµ´Â 4~7ÀÏ À̳») ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
¹è¼Ûºñ: ÃÑ ±¸¸Å¾×ÀÌ 5¸¸¿ø ÀÌÇÏÀÎ °æ¿ì 2,500¿øÀÇ ¹è¼Ûºñ°¡ ºÎ°¡µÇ°í, ÀÌ»óÀÎ °æ¿ì ¹«·á ¹è¼ÛµË´Ï´Ù.
   
¹è¼Û±â°£
  ´çÀÏ 15½Ã ÀÌÀü (Åä¿äÀÏÀº ¿ÀÈÄ12½Ã)±îÁö ÀÔ±ÝÈ®ÀÎµÈ °Ç¿¡ ÇÑÇØ ´çÀÏÃâ°íµË´Ï´Ù.
(´Ü, »óÇ°ÀÇ Àç°íÀ¯¹«¿¡ µû¶ó Â÷ÀÌ°¡ ÀÖÀ» ¼ö ÀÖ½À´Ï´Ù.)
ÀÏ¿äÀÏ/°øÈÞÀÏÀº ¹è¼Û±â°£¿¡ Æ÷ÇÔµÇÁö ¾Ê½À´Ï´Ù.
µµ¼­/»ê°£Áö¿ªÀº 2~3ÀÏ Á¤µµ Ãß°¡ ¼Ò¿äµË´Ï´Ù.
Á¦Á¶»ç »óÇ°¼ö±Þ ¹®Á¦³ª ÀϽÃÇ°ÀýÀÇ °æ¿ì ¹è¼ÛÀÌ ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.
   

±³È¯/¹ÝÇ°/ȯºÒ ¾È³»

  Á¦Ç°ÀÇ ±³È¯,ȯºÒÀ» ¿øÇÏ½Ç °æ¿ì ±¸¸ÅÇÑ ³¯·ÎºÎÅÍ 7ÀÏ À̳»¿¡ °í°´¼¾ÅÍ ¹®ÀÇ °Ô½ÃÆÇÀ̳ª ÀüÈ­¸¦ ÅëÇØ ¿äûÇÏ¿© Áֽñ⠹ٶø´Ï´Ù.
°í°´ÀÇ ´Ü¼øº¯½ÉÀ¸·Î ÀÎÇÑ ±³È¯,ȯºÒÀº Á¦Ç° ¼ö·É Áï½Ã ÀÌ·ç¾îÁ®¾ß ±³È¯ ¹× ȯºÒÀÌ °¡´ÉÇϸç, ¹è¼Ûºñ´Â ¸ðµÎ °í°´´Ô²²¼­ ºÎ´ãÇÕ´Ï´Ù.
*¿î¼Ûºñ : 5,000¿ø(¿Õº¹) µµ¼­/»ê°£Áö¿ª Ãß°¡¹ß»ýºñ¿ë
¹è¼Û»ó ÆÄ¼Õ ¹× Á¦Ç° ÀÚüÀÇ ¹®Á¦·Î ÀÎÇÑ ±³È¯/ȯºÒÀº ¢ß»þÀιÂÁ÷³ÝÀÌ Ã¥ÀÓÁý´Ï´Ù.
*±³È¯/¹ÝÇ°/ȯºÒÀÌ ¾ÈµÇ´Â °æ¿ì Á¦Ç°ÀÇ °³ºÀ ¹× »ç¿ëÇÏ¿© °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì ±³È¯/¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
*Á¦Ç° ÀÚü ºÒ·®ÀÇ °æ¿ì ±³È¯¿¡ °üÇÑ ¹è¼Ûºñ´Â ¸ðµÎ ¹öÁîºñ¿¡¼­ ºÎ´ãÇÕ´Ï´Ù.
   
A/S ¾È³»
  Á¦Ç°ÀÇ ºÒ·®¿øÀÎÀ̳ª »ç¿ë±â°£¿¡ µû¶ó À¯/¹«»óÀ¸·Î ¼­ºñ½º°¡ °¡´ÉÇÕ´Ï´Ù.
»ç¿ëÀÚÀÇ °ú½Ç ¹× ºÎÁÖÀÇ·Î ÀÎÇÑ A/S´Â ±âº»ÀûÀ¸·Î À¯»ó¼­ºñ½ºÀÌÁö¸¸, »óÅ¿¡ µû¶ó ¹«»ó ¼­ºñ½ºÇÏ¿© µå¸³´Ï´Ù.
   
±³È¯/¹ÝÇ°/ȯºÒ/ºÒ°¡ »çÀ¯ ¾È³»
  »óÇ° ¶Ç´Â Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±³È¯ ¶Ç´Â ȯºÒ ½Åû ±â°£ÀÌ °æ°úÇÑ °æ¿ì(7ÀÏÀ̳»)
±¸¸Å ÈÄ »ç¿ë¿¡ ÀÇÇØ »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒÇÑ °æ¿ì
±¸¼º»óÇ°ÀÇ ÀϺΰ¡ ´©¶ôµÇ°Å³ª ÈÑ¼ÕµÈ °æ¿ì
»ç¿ëÀÚÀÇ °ú½Ç·Î »óÇ°¿¡ ÀÌ»óÀÌ ¹ß»ýÇÑ °æ¿ì
   

Ç°Áú º¸Áõ ±âÁØ

 

 

   
±¸ÀÔ ÈÄ 7ÀÏ À̳»

»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ ¾øÀ½

¹«»ó A/S, ±³È¯, ȯºÒ °¡´É

 

 

»óÇ° ¹× Æ÷ÀåÀÇ ÈÑ¼Õ A/S °¡´É
     
±¸ÀÔ ÈÄ 20ÀÏ À̳»

¿À¹è¼Û,´©¶ô,¹è¼ÛÁß ÆļÕ

¹«»ó A/S,±³È¯,ȯºÒ °¡´É

 

 

Á¦Ç°ÀÇ Ãʱ⠺ҷ® ¹«»ó A/S,±³È¯ °¡´É
   
Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S,±³È¯,ȯºÒ °¡´É

 

 

»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ

A/S °¡´É

     
±¸ÀÔ ÈÄ 30ÀÏ À̳»

Á¦Ç°ÀÇ Ãʱ⠺ҷ®

¹«»ó A/S, ±³È¯ °¡´É

 

 

Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡ ¹«»ó A/S, ±³È¯, ȯºÒ °¡´É
   

»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ

A/S °¡´É

     
±¸ÀÔ ÈÄ 90ÀÏ À̳»

Á¦°øÇÑ »óÇ° Á¤º¸¿Í ºÒÀÏÄ¡

¹«»ó A/S, ±³È¯, ȯºÒ °¡´É

 

 

»ç¿ëÁß ¹ß»ýÇÑ ÈÑ¼Õ ¹× ÇÏÀÚ A/S °¡´É
   
ȯºÒ °ü·Ã
  ȯºÒ °úÁ¤ - ¹ÝÇ°µÈ »óÇ°ÀÌ ÆǸÅÀÚ¿¡°Ô µµÂøÇÑ ÈÄ 3ÀÏ À̳»¿¡ ȯºÒ ¾È³» ¹× ó¸®
   
  ¹öÁîºñ ¼îÇθôÀº °øÁ¤°Å·¡À§¿øȸ¿¡¼­ ½ÉÀÇÇÑ Ç¥Áؾà°üÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù.
 
 
24,000¿ø
39,000¿ø
18,000¿ø
29,000¿ø
14,000¿ø
¾ÕÀ¸·Î
µÚ·Î
¸ÇÀ§·Î
¿ÀÇÁ¶óÀθÅÀå¹è³Ê
12¿ùÄíÆùÀ̺¥Æ®
¸ÇÀ§·Î